In October 2025, a special event was held in Jerusalem, organized by **Esek Biz**, to support businesses owned by Israeli military reservists.

For the event, I created an original illustration, which was produced as a limited edition of 150 framed prints, all sold during the event.

On Two Fronts began as a way to document an impossible period — my husband serving in the reserves while I stayed behind, trying to continue everyday life at home.
Through illustration, I documented the small moments, fears, absurdities and routines of living between two realities. What started as personal documentation eventually became a 232-page illustrated book.

An image created as part of an ongoing experiment in training a personal AI model on my own illustrations and visual language.
I’m exploring how my shapes, characters, colors and compositions can become part of a generative process — without losing the feeling of my original work.

Illustration and visual language created as part of the branding for fashion designer Hillel Gardi.
Working alongside Yaro Studio, I developed a series of hand-drawn illustrations that became part of the brand’s visual identity — bringing a raw, playful and expressive layer to the graphic language.

Created for MENTSH, this illustration brings together elements from all 27 EU countries, with 12 characters hidden throughout the scene.
The project explores a simple idea: there’s no single way to look Jewish. The characters blend naturally into everyday European life, turning the illustration into a small visual search.
The characters were inspired by real people.

A physical space for everything that had nowhere else to go.
Created after two years of living through war, Storage brings together thoughts, fears, memories, hopes and fragments of everyday life accumulated during this period.
Built by hand from wood, cardboard, papier-mâché, foam, plaster and paint, the installation transforms this emotional overload into a physical environment — not to organize or resolve it, but simply to give it somewhere to exist.

A printed magazine created for SHESHE, Meta’s women mentorship program in Israel.
I developed the illustrations and visual language for the publication, celebrating eight years of stories, milestones and women from the SHESHE community.

An illustrated collaboration with Shoofra, reimagining five of the brand’s signature shoes through illustration and animation.
Each design was given its own visual world and personality, then brought to life through motion.

A live illustration project for Meta Israel’s 10-year anniversary.
I spent the event turning ideas, values and conversations into illustrations in real time — capturing each one visually as it happened.

A short illustrated animation about what happens after the war is “over.”
The work imagines the uneasy return to everyday life — picking up what was left behind, rebuilding routines, and trying to find a sense of normality in a reality that has already changed.

Three days, lots of teams, and a whole lot of inside jokes.
During a creative sprint at Meta, I turned team stories and everyday moments into custom illustrated memes, while developing the event’s illustrative visual language and creating the visual assets that brought it all together.

An illustrated exploration of Tel Aviv through memory, everyday moments and familiar urban scenes.
The project began with my own drawings and evolved through generative AI and animation, allowing the city to shift, move and transform while keeping the original illustrative language at its core.

Created in collaboration with Ofek Mirzai especially for the exhibition Games, curated by Two Curators and presented at TEO Herzliya.
The installation responds to visitors’ movements, allowing them to shift and transform elements within the illustration. The interaction creates an illusion of control: viewers can influence the image, but only within a predefined set of possibilities.
The work explores the tension between choice and limitation — how much control do we really have when the possibilities are already set for us?

A short illustrated animation created in response to life during wartime.
The work captures the strange moment after the all-clear — when people slowly leave the shelter and return to a reality that looks the same, but feels slightly different.